front cover of Fake
Fake
Anthropological Keywords
Edited by Jacob Copeman and Giovanni da Col
HAU, 2019
Fakes, forgery, counterfeits, hoaxes, frauds, knock-offs—such terms speak, ostensibly, to the inverse of truth or the obverse of authenticity and sincerity. Do all cultures equally spend an incredible amount of energy and labor on detecting differences between the phony and the genuine? What does the modern human obsession with fabrications and frauds tell us about ourselves? And what can anthropology tell us about this obsession?
 
This timely book is the product of the first Annual Debate of Anthropological Keywords, a collaborative project between HAU, the American Ethnological Society, and L’Homme, held each year at the American Anthropological Association meetings. The aim of the debate is to reflect critically on keywords and terms that play a pivotal and timely role in discussions of different cultures and societies, and of the relations between them. This volume brings together leading thinkers to interrogate the concept of fake cross-culturally, including insightful contributions by Giovanni da Col, Gabriella Coleman, Veena Das, John Jackson Jr., Graham Jones, Carlo Severi, Alexei Yurchak, and Jacob Copeman.

All HAU Books are OPEN ACCESS, through Knowledge Unlatched, and are available on the HAU Books website: Haubooks.org.
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front cover of Global Sceptical Publics
Global Sceptical Publics
From Nonreligious Print Media to ‘Digital Atheism'
Edited by Jacob Copeman and Mascha Schulz
University College London, 2022
A collection of essays examining secular discourse in contemporary media spheres.

Diverse media ranging from print publications and TV series to social media platforms are crucial for producing and participating in the secular public sphere, setting the stage for debates, controversies, and activism related both specifically and non-specifically to atheistic discourse. Global Sceptical Publics brings together contributions that analyze the diverse ways in which a variety of religious skeptics, doubters, and atheists engage with different forms of media as the framework for understanding contemporary communication and the formation of nonreligious publics. With authors from diverse backgrounds and disciplines, the book contributes new insights to the growing field of nonreligion studies, in particular, by demonstrating how skeptical groups can unsettle preconceived expectations of the public sphere.
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Gurus and Media
Sound, Image, Machine, Text and the Digital
Edited by Jacob Copeman, Arkotong Longkumer, and Koonal Duggal
University College London, 2023
The first book dedicated to media and mediation in domains of public guruship and devotion.

Illuminating the mediatization of guruship and the guruization of media, this book bridges the gap between scholarship on gurus and the disciplines of media and visual culture studies. It investigates guru iconographies in and across various time periods and also the distinctive ways in which diverse gurus engage with and inhabit different forms of media: statuary, games, print publications, photographs, portraiture, films, machines, social media, bodies, words, graffiti, dolls, sound, verse, tombs, and more.

The book’s interdisciplinary chapters advance, both conceptually and ethnographically, our understanding of the function of media in the dramatic production of guruship and reflect on the corporate branding of gurus and on mediated guruship as a series of aesthetic traps for the captivation of devotees and others. They show how different media can further enliven the complex plurality of guruship, for instance in instantiating notions of “absent-present” guruship and demonstrating the mutual mediation of gurus, caste, and Hindutva.

Gurus and Media foregrounds contested visions of the guru in the development of devotional publics and pluriform guruship across time and space. Thinking through the guru’s many media entanglements in a single place, this book contributes new insights to the study of South Asian religions and to the study of mediation more broadly.
 
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